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Product: DAC &
upsampler 24/192 North Star Model 192
Manufacturer: North
Star - Italy
Approx price: 1200 Euro/$ (your mileage may
vary)
Reviewer: Lucio
Cadeddu
Reviewed: June, 2001
Two years ago I
reviewed the first DAC by NorthStar, the Model
3, which was able to convert 24/96 digital data. It was a very
good sounding DAC, ready for what seemed the next-to-come digital
standard: DVD-Audio at 24/96.
Things have changed a lot in the
meanwhile and nobody seems to care of the 24/96 standard now, as SACD
and 24/192 are still fighting their neverending battle for the market
leadership.
So far, it seems a clear winner has still to
pop up.
We poor audiophiles, always caught in the middle, have
just one secret weapon left: our freedom of choice. Hence, as I have
always suggested, let's wait till the holy war comes to an end! In
the meanwhile, let's try upgrading our existing digital
source...
This leads immediately to the crucial question: should I
upgrade my digital source, now? My advice is, yes, if you're
planning an upgrade of your system, don't forget to consider a new CD
player or a new, modern, D/A converter. Today many good sounding and
reasonably priced digital machines are available. Some of these, as
you may have noticed (dCS, Perpetual Tech. etc.) use "upsampling".
At NorthStar it seems
the secret password is "upsampling". Indeed, after the
aforementioned Model 3, the brave Italian Company designed an add-on
upsampler, called, guess what?, Model 4. Matched to this upsampler -
that converts 16/44 into 24/96 - the Model 3 was able to fully
exploit its internal 24/96 D/A converters and improve its sound
considerably.
At the end of 2000, Giuseppe Rampino at NorthStar
was ready with a new, more powerful D/A converter: the Model 192,
an all-in-one package which includes a 24/192 upsampler and a 24/192
DAC.
The cabinet is always the same, with a radically different
front panel, now finished in a perfect Jeff-Rowland-ish style.
Using
this DAC is simple: all you need to do is connect the digital output
of your CD transport or CD player to one of the 5 digital inputs (2
RCA, XLR, optical, I2S) of the Model 192.
The 16/44 datastream
coming out of your trasport will be immediately upsampled to a 24/192
digital signal, then converted into analogue, ready for your preamp
or integrated amp. No settings to adjust, no inputs to select, the
Model 192 will get the dirty job done before you can say "Cool!".
Of
course, don't forget to connect an AC power cord (possibly, a good
one) to the IEC socket in the rear and to press the on/off switch
close to it. While you're there, please leave the unit always
switched on, since this is the way it will sound better, unless you
use to listen to your system just once in a month or so.
Technophiles out there may want to read all the techno-babble at the recently revisited NorthStar web site or at the bottom of this page where the designer himself gives a short technical explaination on why upsampling WORKS, in his opinion.
NorthStar Model 192...sexy looks...inside!
The test of this Model 192 has been one of those looong ones, thanks to Mr. Rampino's infinite patience I've been able to compare it head to head with its ancestors (at 24/96), the pair Model 3 + Model 4 (no longer available, the manufacturer can only supply DIY kits of these).
Well, if you have
always considered the digital sound way too...digital but never felt
compelled to shell out big bucks for esoteric D/A converters...this
could be the DAC right for you. Yes, its sound, though definitely
digital, is terribly close to that of a good analogue playback
system. It is smooth, silky and armonically rich, very far from the
edgy, hyper-detailed sound of some CD players and DACs.
Harshness?
What's that? There's no trace of this in the musical stream that
flows from the Model 192 right to your ears.
Completely different
from the Model 3, which sounded a bit "in yer face"
and sometimes aggressive, this new toy from NorthStar succeeds
improving even the musical performance of the 24/96 previous pair
(Model 3 + Model 4)
Actually, the upsampling process made wonders
to the sound of the Model 3 as standalone unit. It gained smoothness,
warmth, detail and depth of the soundstage.
The new Model 192 does
even better so it wins the head to head comparison hands down.
Simply, there's no competition.
I don't know if this is due to the
higher upsampling (24/192 instead of 24/96), all I know is that -
besides maths, formulas and sampling rates - at NorthStar must have
some good set of audiophile ears, too, and I can't believe they got
such a good improvement only by means of formulas.
The balance
among all the frequencies of the audio spectrum is almost perfect:
mids and highs sing together in perfect harmony, with plenty of class
and liveliness.
The bass range is a good mix of extension and
control, while the midbass appears a bit shy, especially on electric
bass notes. This character, considering the "smooth" and
never aggressive personality of the unit, sounds just logical to me.
It doesn't really matter if you're a classical Music fan or a die-hard rocker, the Model 192 will make you enjoy your CDs for many hours without the urge to turn that volume knob volume down.
The Model 3 and the
pair Model 3 + Model 4 were extremely good at this: they sounded
explosive, fast and extremely punchy. So I was expecting a similar
performance by the Model 192.
The family feeling has been
preserved, indeed, though the Model 192 appears to sound smoother,
hence dynamically less aggressive than the previous models. It is a
solid, fast and lively performer but there's always a sweet note that
makes the listening experience always enjoyable and relaxing.
In
the microdynamics department the Model 192 performs extremely well,
it is more detailed and accurate than the pair 3 + 4 though don't
expect a kind of X-ray inspection sound.
It does investigate
deeply into the musical patterns but it does that in a very natural
way.
Again, it is the mid-bass range to appear less lively than
the rest, as already noted above.
Once again, even the dynamic
performance of this unit reminds me that of a good analogue playback
system, sweet and strong, instead of the usual edgy behaviour of many
digital playback systems. And if you're thinking a vinyl can't sound
dynamically challenging even when compared to a good digital source,
perhaps you've never listened to a good analogue set-up :-)
Soundstaging is one of
the best qualities of this digital machine. Width, height and depth
are so realistic that your room will be literally embedded into a
fully live musical experience. Considering the price tag, the
size of the soundstage this Model 192 is able to generate is
simply outstanding and well above the physical space between
your speakers.
Size aside, the whole scene is extremely realistic
thanks to the precise location of instruments and singers, too. The
contours are on the "soft" side and the scene is never "in
your face" as it was with the "monitor-like" North
Star Model 3.
If you're used to this kind of sound, like razor
sharp contours and in your face image, perhaps the soundstage
created by the Model 192 will appear unrealistic to you.
In my
opinion, especially if one thinks at the blurred stage you get from a
real live performance (think of an orchestra, for example), the
"monitor-like" kind of soundstaging is too far from the
real thing so I prefer a wider and softer 3D scene to a narrow,
2-sized, pin-pointed one.
A matter of taste, perhaps, but in my
opinion the Model 192 represents a GIANT leap forward with respect to
the Model 3 and even the pair 3 + 4.
I've already pointed
out the need to leave the Model 192 permanently switched on if you
listen to your system frequently. Anyway, don't think this unit needs
hours of warm-up to sound well: 30 minutes are normally enough.
The
digital inputs to use are closely linked to the kind of digital
outputs your CD transport (or player) has. If possible, use the XLR
or the I2S ones, as technically better. Then RCA coaxial - there's
two of these! - and lastly optical.
The AC cord isn't included in
the package (funny, uh?) so you are forced to buy it. While you're
there, buy a good audiophile-grade one, better if one of the
"digitally filtered" kind. Many companies make such cords
(for example, JPS makes the Digital
AC, reviewed here on TNT-Audio), with built-in filters so to
avoid the digital garbage escapes from the unit :-)
Anyway, you
can even use one of our humble DIY designs, like the TNT
TTS or the easier to make TNT
Merlino.
Coupling/decoupling: the Model 192 uses four soft
rubber feet, not bad but certainly they can be bettered. Have a look
at several such accessories
we have already reviewed here on TNT-Audio...
The choice mainly
depends on your personal taste and the kind of rack/table you'll be
using with the unit.
Digital interconnects: yes, I know 0 is 0 and
1 is 1, but - believe it or not - a good digital cable can make quite
a difference. So, after having bought such a good quality D/A
converter, do not limit its performance using poor quality cables
(I'm currently working on a mid-budget "digital cables
shootout", so stay tuned).
Manufacturing and
finish.
The new front panel is cool but it has two problems: it
doesn't welcome digital...ahem....fingerprints :-) and it does not
match well (IMHO) with the rest of the cabinet, which is plain black.
The quality of the finish is top-notch.
The AC mains cable is
lacking. I understand the manufacturer's aim - as reported in the
manual - since he wants the owner to buy a good cable....but in my
opinion ANY HiFi component should be sold READY to work. For example,
a coaxial digital cable should have been included, too.
Sonics.
Every time
I've tried to complain about something, the price tag of the Model
192 came to my mind :-)
Oh yes, perhaps a more solid mid-bass and
a less sweet performance with certain aggressive kinds of Music would
have been welcomed BUT! this is the personality of the Model 192,
either take it or leave it.
After you have listened to it for a
couple of hours, I'm pretty sure you'll forget all my ramblings as
this DAC will let you concentrate on Music alone.
DO NOT judge its
sound after 10 seconds, this is the worst thing you can do this
excellent digital machine.
Did the Model 3
impress you? Did the Model 3 + Model 4 fascinate you? Well, this
Model 192 will make you fall in love with digital audio without
mortgaging your house again.
Into its price range and even
slightly above, this unit is a real masterpiece. As remarked above,
listen to it for a couple of hours and you'll understand.
Thanks to Giuseppe Rampino of North Star for his patience and collaboration.
First of all, let me
point out that there's no kind of magic here, as everything can be
explained technically.
First of all, let's say the upsampling
method CAN'T improve anything. The sound of a digitally upsampled DAC
is better because it is the non-upsampled one to be worse.
For,
let's see what happens to a standard 44.1 kHz digital signal when it
is converted directly by a DAC. Before going into analogue, the
digital signal crosses a digital filter that oversamples it (normally
8 times, 8x oversampling, as usually called) and a second digital
filter with very high slope that cuts off all the garbage above a
certain frequency, quite close to the audio band.
Once the signal
has been converted into analogue, it crosses another filter, an
analogue one, normally of the 2nd or 3rd kind, that introduces phase
rotations into the audible spectrum.
Now, how can we consider the
effect of a phase rotation in the time domain?
Let's suppose to
have a musical instrument that plays its fundamental tone and its
harmonics. The first ones normally are reproduced fine...but the
higher order ones are delivered to your ears with a phase rotation
(with respect to the first ones) and hence with a time delay that can
be heard as distorion.
What happens with
upsampling? The standard 44.1 kHz digital stream is interpolated and
the samples are calculated as the original signal had a 192 kHz
sampling rate. BUT!!!! This process adds NOTHING to the original
signal!!!! Even at 192 kHz the signal is still extended till 20
kHz!
The difference now is that the signal crosses digital filters
centered at 96 kHz and the following analogue filter will be centered
far from the upper limit of the audio band (actually, near 96
kHz!!!).
This means the analogue signal coming out of the DAC will
be more faithful to the original one in the time domain (less phase
rotations, that is).
© Copyright 2001 Ing. Giuseppe
Rampino - NorthStar
© Copyright 2001 Lucio Cadeddu - http://www.tnt-audio.com
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