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Please take a moment to review the How to use the Readers' Corner manual - send then your enquiries to editor (at) tnt-audio.com or to the appropriate reviewer.
Radioshack SPL meter
Hi - I read your review about the Radioshack sound level meter. You mention that you can hook up the output to a PC? Can you record the data coming in
from the microphone? Any idea of how to input the information on a mac?
Clare - E-mail: clare.rittschof@gmail.com
LC
Dear Clare,
yes, the analog RCA output of the Radioshack SPL meter is meant to be connected to the MIC input of the PC soundcard. After all, the meter is nothing else than a microphone with a mic preamp. Just use a standard RCA/minijack cable to hook the SPL meter up to the computer. Your PC also needs a sound analysis software in order to exploit the informations coming out from the meter. A good one, free, that runs on Mac, Linux and Windows platforms is REW. This is a fairly complete analysis Java application that also includes waterfall plots. Of course, in order to fully exploit its potential you need to know the basics of acoustics.
Also, you might need calibration charts for the Radioshack SPL meter, since it is not 100% linear, for example it does have a not negligible roll-off at the lowest frequencies. These can be found almost everywhere on the Internet, just Googling around.
Hope this helped somehow!
Lucio Cadeddu
Chario vs Thiel
Dear Lucio,
I have a pair loudspeakers Chario Hyper1 mk2 connected to a Denon 70W ClassA Amplifier. Just wonder if I would improve the quality of my Hi-Fi with a pair of Thiel CS1.2. Is there a big difference between them? I read you tested both of them.
Thank you in advance.
Regards,
Brian - E-mail: brianconley851 (at) hotmail.com
LC
Dear Brian,
you're right, I tested them both and I've also been a happy owner of a pair of Thiel CS 1.2 for a long while, as secondary speakers in my B-system. And yes, the CS 1.2's would be a giant step forward with respect to the Chario's. The only problem is that they might be a tough load (like many other Thiel loudspeakers) for many amplifiers. Their impedance runs very close to 4 Ohm so the amp should be able to drive low impedances. I don't know whether your Denon amp is up to this task or not but you can try, even the Chario's you have are not an easy load either.
Hope this helped somehow, keep me updated!
Lucio Cadeddu
Need advice on lining a cabinet
Hi Mark,
Thanks for posting your useful article on speaker stuffing.
I have a Music Man 115 RH bass cabinet. The reflex horn path starts in
the middle of the backboard and exits the front. This means there are
two slanted surfaces inside the speaker chamber, the bottom and lower
back. In the inside pic, the cab is shown thru the driver hole with the
horn to the bottom. The board seen through the speaker hole is the false
back, the slanted board that creates the start of the horn path between
the true back and itself.
I presume I'll staple 2 thicknesses of light 1/2" quilt batting to
the sides, top, and the angled lower back.
Should I staple it to the baffle board?
I have seen warnings against this, but it referred to boards that had
both speakers and ports in them.
And should I cover the entire back, including the false back and the
entrance to the horn section?
The batting is very low density and should not block air.
Thank you,
Kurt - E-mail: kkurosawa (at) gmail.com
MW
Firstly, the Music Man 115 RH is a mid 70s MM design, so
probably has (we are not worthy) Leo Fender's direct input into the
design. This means it will have been designed heuristically and
empirically, NOT using a CAD programme and b*gg*r all prototype testing
as modern products often are. This also means you mess with his design
at your own risk. We will assume for the sake of this answer that it
probably has the original JBL OEM 15" (375mm) driver. This might need a
replacement of its sagging spider or perished surround treatment. Be
careful not to buy cheap replacements as the sound will forever be
changed.
Secondly, it is not a true horn in the sense of a back loaded Lowther
Acousta, but a typical hybrid of horn and reflex behaviour, common in
PA. This does not matter with musical instrument amps and speakers as
what we want here is not accuracy but TONE with a capital T. What you do
next depends on whether you play 4 or 5 strings. Low E (at concert
pitch) is just above 41Hz and most evenly gauged string sets (eg
105-85-65-45) have more tension in the A and D strings than the E and G
strings (hence Rotosound's 80 gauge A), which affects the relationship
between the open low E and the fundamental resonance of the lopudspeaker
system. Music Man pickups (if your bass matches your amp) have fat tone
down there, so you can afford to tighten the note envelope up a bit with
some speaker stuffing, same with any 5 string. If you're using light
strings on an older Mexican made Fender Jazz, then forget it, there's
precious little fundamental down there as it is.
While long fibre wool is best for audiophile accuracy, it sucks in this
application because it moves when the speaker is moved and fine fibres
end up in the motor part of the speaker, chafing between voice coil and
pole-piece. Use proprietary polyester loudspeaker batting at least 50mm
(2") thick (bass wavelengths are BIG). Staple it well to the flat
sloping panel that defines the horn and to every internal parallel
surface, leaving it slightly slack in little 75-100mm (3"-4") waves. Do
not put any stuffing in the horn part. Put some open weave cloth (like
cheesecloth) over the back of your driver to protect it from ingress of
crud. Check the corner joints of the cab are still good before
reassembly.
What you should hear is better definition of lows (like a more expensive
pickup) and cleaner mids (like a new set of strings). If you're playing
5 string or a detuned 4, you will actually hear notes, not just
overtones, below low D, but you'd do well to get a good modern 15, 18 or
2x15 to sit under the MM if you want some real weight from a 5 string.
Finally, I do hope you use valve (tube) amplification or a tube pre-amp
with bipolar or class D power-amp, because you're wasting the potential
of a classic driver if you don't.
Happy low-life,
Hi Kurt
As a fellow bass nut (Geoff is too), I'm happy to answer your questions.
Mark Wheeler
Aktimate Maxi
Dear Andy,
I was looking for information on setting up the Aktimate Maxi and saw your review and so I thought I would email you. I just bought
a xonar d2x card for my desktop and so now I want to get some nice active
speakers to connect to the card. I have looked and looked and have come
across the aktimate mini and maxi and was wondering how difficult they are
to set up.
All I want to do is connect the speakers to my desktop like my
old creative 5.1s but I am worried these might be too hard for me since i
know nothing about technology, I usually just look at the plugs and stick
them in the holes that fit them and coordinate the colours if they have any.
So these might be a step too far.
I wondered if you could offer me any insight into it. Will they come with
everything in the box that i need? I really don't need anything else than
to connect them to my sound card, I won't do anything with them beyond use
them as pc speakers for music and games.
Simon - E-mail: johnwck90 (at) yahoo.co.uk
AN
Hi Simon,
Yes - the Aktimates were simple to connect. They have an ordinary stereo
line mini jack input which is the way computer speakers are normally
connected. They came with a speaker cable to connect the two speakers
together and although it didn't seem to be of great quality it did the job.
I can't recall whether they came packaged with the stereo jack cable but presumably you have one of those already. Might be best to check with your supplier to make sure nothing has changed since I did the review.
Regards,
Andy Norman
Will direct sales replace traditional HiFi stores?
Hi,
you may like to know Devialet have for sometime used a similar approach. If they are not represented in your country, you can purchase direct from their website, ddp (delivered, duties (and VAT/GST/Salestax) paid!) for the
same list price, worldwide. They include a trial period. This is a very forward thinking approach, and one that achieved a successful sale to me in New Zealand.
I enjoy TNT - thanks!
Murray - E-mail: murrayporteousnz (at) gmail.com
LC
Dear Murray,
Thanks for the feedback!
Lucio Cadeddu
Re: Do it yourself Audio Tweaks
Hello Lucio,
I have read through most of the Do it Yourself Tweaks on your online site. I find them very interesting. I am wanting to build a Power Outlet but was wondering if it is even worth it. Here's a link one, I couldn't find one on your site. Have you had any experience with a power outlet that improved sound quality?
I'd be very interested in your opinion before I pour $300 on Wattgate Contectors (USA).
Thank you.
www.audiotweaks.com/diy/ac_outletc/page01.htm
Ian - E-mail: enushalu (at) gmail.com
MW
Hi
I saw your letter on our pages and wanted to draw your attention to the
two pieces I wrote on this topic too:
Also TNT-audio have published many mains cable & filter designs
My experience is that the lower voltage of US mains supply demands higher current (and thus thicker lower resistance conductors) and that the regulations are so different from mainland European and British
European regulations that improving ground arrangements results in even
more dramatic improvements.
BTW I have experimented and do not agree with our editor Lucio, that a
separate spur for sources from the spur for amplification is best; read
the lst 12 paraghraphs of the above article plus the conclusion to
understand why the components of your audio system should be connected
to the same distribution point. Naim Audio also find this and use their
"hydra" multiple IEC connector at audio shows to achieve the same
arrangement in hotel rooms. Lucio lives in Sardinia and I live in the
UK, which explains the different experiences and also why you should try
both for yourself.
Do employ a qualified electrician whenever you plan to make alterations
to your wiring.
Happy listening,
Mark, The Old Scribe
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