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I often get curious when a new *sound upgrading* device enters the hi-fi scene, but I'm quite always a little bit suspicious about them because of many old experiences in dealing with *revolutionary* stuff that, today, we can hardly remember.
This Valvolizer from Praecisa Acoustics doesn't want to start any revolution but it's just a simple device to smooth harshness, according to the manufacturer, in solid-state, entry-level hifi gear.
At a first sight the
name Valvolizer sounded to me like those funny shining Turbo
badges on the hoods of small cars that need a pray every morning to
start.
But, since Praecisa had it's hey-day with its great Preamp
Model Two, I approached,
after a proper burn-in, the listening test with open mind and very
high concentration because what was meant to be discovered were just
*nuances*.
This device is a
short black cilinder made by amagnetic steel (maybe a toroidal
transformer cap) totally glued and permanently sealed to a very
refined cherry-wood round base (see picture above).
On the upper
side we find two couples of gold plated connectors: one is for
Hi-Level (input) and has an impedance of 12Kohms, the other one is
for Low-Level (output) and has an impedance of 12 ohms.
Since it
is a passive device it has no AC power inlet.
Praecisa Acoustics suggests to connect it between the preamp and the power amplifier (a full-balanced socket version is available, too) or, when dealing with integrated amps, between CDP and amp.
The first session of
the listening test was made on my solid state gear with the
Valvolizer between preamp and amp.
It has soon showed its
personality in a very perceptible way: a slight attenuation of the
output level (-9 dB) with a powerful cut of the lowest frequencies
was the most remarkable feature, even if this cut was intended to be
(as Praecisa claims) fully subsonic, with a smooth roll-off of the
highest portion of the audible frequencies.
As a primary
consequence of this feature we have a crystal-clear, detailed, vivid
mid-band with a wider and deeper soundstage, slightly affected by a
lesser dynamic punch, a little *slower* than before, just to give a
light touch of *tube taste*.
So: if your hi-fi
system is sonically well-balanced and refined it's better not to use
it.
How long could you really stand a small black box that run in
your listening room to turn upside down all the nights spent in
evaluating a 1 Ohm resistor in a crossover network, or some degree in
orientating the speakers properly, or if a cable is better than other
four? :-)
Second part of the
listening test: Valvolizer connected between CDP and amp in a entry
level system.
Same features as before but with the result of an
overall improvement of the sound in each and every aspect.
It's
clear that troubles in this kind of systems are mostly caused by too
cheap sources and their typical *subsonic chaos*.
Here the
Valvolizer actually solves the problem: it seriously works! And it
works good.
The booming bass gets soon dry and firm and that
*digital* harsh sound gets remarkably sweet and more liquid.
But I
think that, especially talking about bass-boom, the same improvements
could be acheived, in a cheaper way, with some tweaks taken from the
specific subsection of our mag.
And I'm convinced, too, that it
will be more cost-effective adding 250$ (list-price of the Valvolizer
in Italy) to the expense for your next CDP.
This will be a real
upgrade and not just a remedy. Don't forget, too, that using a
Valvolizer requires a double run (and double expense) of your signal
cable (and very often one 150$ cable is better than two runs of a 75$
cable).
So now: buying it, it's up to you.
Copyright © 1998 Mimmo Cacciapaglia
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